Dancing with the Nefelim Covering the time frame from 3 Billion BC up to 8 Thousand BC This is about the galactic context for the creation of Atlantis - which is still very far off into the future. There is a focus on what is happening with the Pleiadean home world, commentary on how interstellar trade is handled between spacefaring alien races. The Pleiades as a star cluster is still a long ways off in the future as a collection of a several stars and their solar system planets are beginning to come into gravitational arrangement - they are forming their own "partner embrace" and as a collection of couples are starting their own Tanda. See my YouTube Channel NotebookLM review of "The Dance Redux"

Chapter 1 - It all begins with the Embrace - the first topic about dancing.

This chapter title is taken from a term in social Argentine Tango dealing with what happens when two tango dancers start a dance. A Tango dance occurs over a set of four individual dances collectively called a Tanda. Two dancers come together in physical contact and the very first thing that happens is “the embrace” where the leader places his right arm around the back of the follower and the follower places her left arm above the leader’s arm and around his back neck reaching across as far as possible – hence the term “close embrace”. The leader’s left hand takes the follower’s right hand in hand. How far out the joined hands are from their bodies is a matter of style and choice but tends to stay the same distance over time. The joined hands are generally held in constant place and for-sure not moving around up or down or in or out. Generally, there is an opening between the joined bodies widening in the direction of the joined hands. Typically, a V shape is formed where the narrow part of the V is the contact area between the leader’s right chest side and the follower’s left corner chest side. This leads to what is indellically called “the one boob lead” because that is where the primary compression operative point of contact is located. This positioning places the follower at a corner position relative to the leader – sort of half way between the follower position directly in front or on the right side. The term “close embrace, salon-style” defines this positioning. The advantage in this form is that the follower’s head is in largely permanent straight on contact with the corner or side of the leader’s head in such a way that the follower’s neck is NOT twisted in any form – thus minimizing or avoiding neck tension. There is an alternate form of the embrace known as Milonguero dance where the follower is immediately in front of the leader. If the contact is close, then by necessity the follower’s head is turned almost ninety degrees to the left – thus accumulating neck strain. A slight variation has the follower still directly in front of the leader, but with constant separation distance between the bodies leading to a situation where there is no “Lean” between the dance partners and both are so-called “on their individual axis” – meaning standing straight up vertically. This was a dance form adopted in Argentina where many of the dance events took place on small dance floors where over-crowding occurred, so straight on connection with no spacing allowed for more dancers on the floor. I dislike the Milonguero dance form – preferring quarter-on, salon, close-embrace which affords “lean” and fancier moves - particularly the triple Volcada. There is another form of Tango, sometime called "American Tango" or "Ballroom Tango" or "International Tango" which I only mention in passing. Those forms, IMHO, are more oriented towards ballroom Waltz particularly the international variant where the compression is inverted - at the waist and way too much opening at the level of the heads. I am NOT a fan of that style of Tango nor will these pages have any further commentary on that form. There are many other partner dance forms that have embrace, Waltz in particular, but none with close on body contact and salon-style positioning of social Tango. I make a heavy distinction between Social versus Performance Tango. In social tango the distance between the partners is nominally constant over time. In performance tango the distance between the partners fluctuates over time as the leader (who effects the opening of the distance) makes room for the follower to perform flashy move - particularly leg sweep, flashes, kicks and points. Also most performance tango is "on-axis" vertical positioning where as social tango for the experienced dancers involves lean where the connection is close at the top and distance away at the floor level. Some of us who prefer to do lean carry an attitude that "real tango always has lean" or "it's not real tango without lean" - a bit of snobbery I admit - but still a valid viewpoint. I am harping on the "lean" aspect of the dance connection and relationship as the Nefelim and the KA Atlanteans ended "leaning" on each other - neither could have moved forward without the other.

The galactic context for the Nefelim presence on Earth – bringing about Atlantis.

Billions of years ago some aspect of Source, perhaps a local Deity as “staff” to Source, brought forth an earlier version of planet Earth with the intent (and perhaps desire) to create a rather unique offering of an abode where Spirit could incarnate and continue on with spiritual evolution in a way and form that was considered to be “better” than the other offerings elsewhere nearby in a spiral arm of the galaxy we loosely called “the milky way”. The galaxy is full of life - perhaps more non-intelligent plant based life than that which moves about. Harry Harrison once promoted the idea that some plant based life can be psionic in addition to being intelligent and focused on waging war against humans - who are seen as invaders of their planet. Even amoungs the moving around life-forms, there are probably more real aliens than humans. Further topics in this thread:
Ea-twuoo-auwk-loean – mayor of the Pleiadean city..
Is it real Tango when there is no lean ?Why is Lean important to tango ?Lean on meWe lean on each other

VolcadaColgata